Sketches
Drawing continues to be the material for the verification of our thoughts. Drawing should translate plainly and with the greatest care those ideas, intentions, that have yet to be discovered. We might even say that we are only able to conceive of what we are able to draw. This work on paper is done obsessively. The drawings superimpose themselves on each other with successive minor modifications, with successive approaches, and with changes that are often nearly imperceptible.
We find this concept of series, of production in series, extremely interesting, because it establishes a mechanism of order and control in our work. I believe that in these moments of production the project almost fades away in favour of a work that acquires meaning of its own.
I am very interested in the work of Agnes Martín and the relation she establishes with her work. An uninterrupted, constant work, absolutely personal, that depends only on itself. I often think that some of our drawings could be transposed perfectly to this support.